9/21/2023 0 Comments Inside job netflix gigiThat struggle has brought SAG to the precipice of a potential strike, authorized by more than ninety-seven per cent of about sixty-five thousand voting members. “So many of my friends who have nearly a million followers, who are doing billion-dollar franchises, don’t know how to make rent,” Glenn told me. But streaming has scrambled that model, endangering the ability of working actors to make a living. At the highest end, residuals can yield a fortune reportedly, the cast of “Friends” has each made tens of millions of dollars from syndication. Television actors have traditionally had a base of income from residuals, which come from reruns and other forms of reuse of the shows in which they’ve appeared. The show’s runaway success was a cornerstone that helped build the Netflix brand, which in turn built the streaming economy, which has now taken over pretty much the entire industry.Ī decade on, however, some of the cast feel disillusioned about how they were compensated, both during the original run and in the years since. ![]() But “Orange” was a ground-up phenomenon, with a fervid fan base that would binge, binge, and binge again. ![]() “House of Cards,” anchored by the star power of Kevin Spacey and Robin Wright, brought the company instant prestige. Although it centered on Piper (Taylor Schilling), a sheltered, blond yuppie adjusting to life in minimum-security lockup, its selling point was the huge, multiracial, largely female ensemble, which, as The New Yorker’s Emily Nussbaum observed at the time, represented a “truly impressive array of prisoners, played by actresses of varying ages and appearances, including types rarely shown on TV.” The series was also a breakthrough for Netflix as it was transitioning from a DVD-rental-by-mail service to a streaming company with its own content “Orange” arrived just a few months after “ House of Cards.” With “Orange,” Nussbaum noted, Netflix was “quickly establishing itself as a real rival to cable.” The shift came with a new viewing pattern: binge-watching, in which an entire season could be consumed at once. Created by Jenji Kohan and based on Piper Kerman’s memoir, the show was ribald, off-kilter, playfully knowing about female sexuality, and sharp-eyed about the prison-industrial complex. When “Orange” premièred, ten years ago this week, it broke ground in multiple ways. But I was so excited for the opportunity to be on a show I loved so I took the hit. I kept my day job the entire time I was on the show because it paid better than the mega-hit TV show we were on.” Beth Dover, who played a manager at the company taking over the prison: “It actually COST me money to be in season 3 and 4 since I was cast local hire and had to fly myself out, etc. Matt McGorry, who played a corrections officer: “Exaccctttlllyyy. This time, not only fans but castmates weighed in. The post got more than four hundred thousand likes and nearly two thousand comments, many from disbelieving fans: “Wait how is that even legal?” “how is this even real you were on one of the biggest netflix shows.” This past May, with screenwriters on strike and labor unrest sweeping Hollywood, Glenn reposted the video on Instagram, where she has almost a million followers. She posted a video in which she scans the statement-“I’m about to be so riiich!”-then reaches the grand total of twenty-seven dollars and thirty cents and shrieks, “WHAT?” With many television and movie sets shuttered, she was supporting herself with voice-over jobs, and she’d been messing around with TikTok. “I was, like, Oh, my God, it’s just so sad,” Glenn recalled. ![]() The orchid-pink paper listed episodes of the show that she’d appeared on (“A Whole Other Hole,” “Trust No Bitch”) alongside tiny amounts of income (four cents, two cents) culled from overseas levies-a thin slice of pie from the show that had thrust her to prominence. Glenn is best known for playing the motormouthed, idealistic inmate Brook Soso on the women’s-prison series “Orange Is the New Black,” which ran from 2013 to 2019, on Netflix. In December, 2020, in the depths of pandemic winter, the actress Kimiko Glenn got a foreign-royalty statement in the mail from the screen actors’ union, SAG-AFTRA.
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